Professional theatre in residence at Wellesley College.

Our Mission

Wellesley Repertory Theatre is an award-winning professional theatre company, in residence since 1998 on the Wellesley College campus. Founded as a summer theatre by Nora Hussey - a formidable storyteller and community-builder recognized for her lifetime of achievement on both a local and national level - Wellesley Rep productions have been lauded by critics and cherished by audiences for two decades and onwards!

The Wellesley Repertory Theatre Grant

Announcing Cohort 2!

Wellesley Repertory Theatre, in partnership with Wellesley College Theatre, offers a project-based grant for graduates. Through the WRT Grant Program and Festival, Wellesley Rep continues its core mission to support and celebrate theatre-making Wellesley grads out in the world from our shared starting place of Wellesley College. Our 3 2026-27 WRT Grant Recipients will return to campus in September 2027 to share their projects with us.

2026-27 WRT Grant Recipients:

  • Maya Martin-Udry

    Mara Martin-Udry

    Maya "Marty" Martin-Udry (Class of ) is an avowed amateur, seriously dabbling in puppetry, drag, and crafting of all sorts. She's particularly proud of her puppetry performances at Dixon Place and Teatro Sea.

    The WRT Grant will fund the development of a sci-fi puppet show: Bird-like aliens expand our capacity to imagine liberatory futures in Seasons, a radical puppetry adaptation of a story by speculative fiction titan Ursula K. Le Guin.

  • Mara Palma

    Mara Palma (she/her) is a theater maker, director, and creative youth educator most drawn to stories about Asian American women, sapphic characters, and physically dynamic theater. Originally from Quezon City, Philippines, she now calls Los Angeles home. Playwright: Babble - a TYA BIPOC Superhero Project (Bocon), The F Word: Filipinx a Solo Performance Piece (18th & Union), Octavia and Kleopatra (CompanyONE PlayLab). www.marapalma.com

    The WRT Grant will fund the completion of a new script: When young Filipina superhero, Evangelina, learns her grandfather has gone missing, she decides to search for him and realizes that the power of language might be the key to bringing her family back together.

  • Fani Suan-Baum

    Fani Suan-Baum ’17 (née Ntavelou-Baum) is a producer, writer, director and educator from Athens, Greece, currently living in Berlin, Germany. After a stint as a strategy consultant, Fani spent the past several years at Anton, a film production and financing company, acquiring and executive producing feature films, such as The End We Start From with Jodie Comer and Benedict Cumberbatch and Left Seat with Michelle Rodriguez and Richard Gere. She graduated magna cum laude with a BA in philosophy from Wellesley College and holds an MSt in philosophy from the University of Oxford and an MA in Creative Business from the National Film and Television School in the UK. 

    The WRT Grant will fund the translation of an original work into English; Burning Berlin is a musical about Lotte Hahm and Käthe Fleischmann, two women at the heart of lesbian life and activism in Weimar Berlin. It follows their love story from the bars and clubs of the late 1920s through Nazi persecution, exile and the years after the war.

WRT & Boston’s Ufot Cycle:

Lifted by Mfoniso Udofia

Workshop Presentations
Play 7 of Boston’s Ufot Cycle
Presented March 2026

Udofia’s cycle of 9 plays about a Nigerian-American family by Wellesley College graduate Mfoniso Udofia (‘06) is being presented over 2 years by a cohort of Boston-area arts organizations. WRT offered workshop presentations of the seventh play, Lifted in March 2026.

A student & grad-driven Wellesley Repertory Theatre

Our diverse assets - indeed, our repertory! - are the very folks our mission exists to support: Wellesley graduates working in theatre! WRT seeks to build a bridge between curricular inquiry and professional opportunity for our majors, makers and grads.

Check out the work happening in the Wellesley College Theatre Studies Program

“ I was at the edge of my seat for the entire running time.”

— Swellesley Report

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